Freedom in open spaces and big marks! Continuing from last session’s rocky theme of rocks under the earth in Glasgow, we took this into wider dimensions with more spacious scenes of sea, islands, birds.

Expansive vistas, soaring gannets, flying marks

Expansive vistas, soaring gannets, flying marks

Expansive vistas, soaring gannets, flying marks

Expansive vistas, soaring gannets, flying marks

This was influenced also by the rock and raked gravel dry gardens of Japan and China garden design, which placed carefully chosen stones of particular shapes into spaces to create a harmonic landscape world of mountains, seas, waterfalls and forest.

Expansive vistas, soaring gannets, flying marks

Fine pens as well as prockey pens and metallic pens were ideal for drawing from our expanded amount of stone – one of the participants kindly brought a beautiful collection of stones and minerals of mesmerising colours and textures.

Expansive vistas, soaring gannets, flying marks

Expansive vistas, soaring gannets, flying marks

In the second half of the group we used black ink and different types of brushes to explore totally different ways of markmaking, still keeping the textured or smooth feel of the stones, and with the spaciousness of the sea and garden spaces.

Expansive vistas, soaring gannets, flying marksExpansive vistas, soaring gannets, flying marksExpansive vistas, soaring gannets, flying marks Expansive vistas, soaring gannets, flying marksExpansive vistas, soaring gannets, flying marks

Glasgow Connected Arts Network

Kindly supported by Glasgow Connected Arts Network